ART HISTORY FACULTY CURRENT RESEARCH
凯蒂·豪泽: Associate Professor 凯蒂·豪泽 is analyzing the critical literature on Balthus’s provocative painting Thérèse Dreaming. Even though the girl clearly has her period (red blood/paint seeps through her underwear), apparently no critic or art historian addresses this remarkable representation of a menstruating girl. 融入上下文 painting within contemporary views of menstruation illuminates critics’ (literal) blind spot, reveals Balthus’s unexpectedly feminist take on the subject, and models a feminist meta-analysis of criticism, exposing how the written word constrains vision.
图片标题:
Balthus, Thérèse Dreaming, 1938, Metropolitan Museum of Art.
咪咪赫尔曼: Associate Professor 咪咪赫尔曼 is working on a book about the hôtel de Soubise,
an aristocratic residence in 18th-century Paris whose rococo interior, now partly
restored and open to the public, which figures prominently in the art-historical canon
but is rarely studied as an expression of aesthetic and social values. 咪咪的项目
explores how architecture and interior decoration negotiated the unstable dynastic
identity of a family who aspired to an unusual, often contested status in the hierarchy
of 法国 court society.
图片标题:
Salon at the hôtel de Soubise, Paris, 1739. Decorative scheme designed by Germain
Boffrand; paintings by Charles-Joseph Natoire. 图片:咪咪赫尔曼.
彭妮快活: Professor of 艺术历史 彭妮快活’s book, Picturing the “Pregnant” Magdalene
in Northern Art, 1430-1550: Addressing and Undressing the Sinner-Saint, was published
in Winter 2014 by Ashgate Press. Her newest project involves Franciscan dress, particularly
in the double church of San Francesco at Assisi.
图片标题:
罗杰·范德维登, 抹大拉的马利亚 from the Braque Triptych, ca. 1452 (Paris, The Louvre).
Saleema Waraich: Assistant Professor Saleema Waraich is working on a manuscript titled, Memory, Monuments, and the Mughal Empire in South Asia. This project traces the histories, changing functions, and varied symbolisms of the administrative-residential capitals of Lahore (Pakistan) and Delhi (India) from the Mughal period to the present. The book seeks to analyze the ways in which power and authority have been conceptualized and challenged in early modern, colonial and national contexts. Exploring the building and conservation practices, imagery, and narratives that surround these complexes, the project combines the study of visual culture with issues pertaining to memory, identity, and politics within 跨越国界.
图片标题:
Naulakha Pavilion (built in the second quarter of the 17th century), in the northern
section of the Shahi Qila (Royal Fort), Lahore, Pakistan. Photo: Saleema Waraich